Taj Mahal (From Sanskrit: Tejo Mahalay, "The Great Abode of Tej"), Teja (Jats'1 name of Shiva is Tejaji) + Mahalay (mansion) is a Temple Palace of Lord Shiva located in Agra, India. The Taj Mahal is the finest example of Hindu architecture.The story of the Taj Mahal that most of us have known about may not be the real truth.Contrary to what visitors are made to believe the Tajmahal is not a Islamic mausoleum but an ancient Shiva Temple known as Tejo Mahalaya which the 5th generation Moghul emperorShahjahan commandeered from the then Maharaja of Jaipur.
Known as one of the Seven Wonders of the world, this magnificent seven storied temple mansion comprises ofmajestic garden, interior water well, 400 to 500 rooms, 22 apartments, archaded verendahs,terraces, multi stored towers, underground passage, guest rooms, stables, music house, drum chamber, cowsheds, and guard rooms — that necessarily form part of a palace. On the pinnacle of the dome is the Trishul (the trident), red lotus at apex of the entrance, typical Vedic style corridors and the sacred, esoteric letter "AUM" carved on the exterior of the wall of the sanctum sanctorum now occupied by the cenotaphs were of Hindu architecture, built by Hindu craftsmen, with Hindu design. Its marblework is similar to the Amber palace at Jaipur built some six hundred years earlier by Raja Man Singh I in 1592 and completed by Sawai Jai Singh I.
During the Mongul rule, this Shiva temple palace had been usurped by Shah Jahan from then Maharaja of Jaipur, Jai Singh. Shah Jahan then remodeled the palace into his wife's memorial. In his own court chronicle, Badshahnama (on page 403, Vol. 1), Shah Jahan states that a grand mansion of unique splendor, capped with a dome, (imaarat-e-alishan wagumbaze) in Agra was taken from the Jaipur Maharaja Jaisingh for Mumtaz's burial. The ex-Maharaja of Jaipur is said to retain in his secret collection two orders from Shah Jahan for the surrender of the Taj building.
When told that you are visiting a temple palace you wont fail to notice its annexes, ruined defensive walls, hillocks, moats, cascades, fountains, majestic garden, hundreds of rooms archaded verendahs, terraces, multi stored towers, secret sealed chambers, guest rooms, stables, the trident (Trishul) pinnacle on the dome and the sacred, esoteric Hindu letter "AUM" carved on the exterior of the wall of the sanctum sanctorum now occupied by the cenotaphs. For detailed proof of this breath taking discovery, you may read the well known historian Shri. P. N. Oak's celebrated book titled " Tajmahal : The True Story". But let me place before you, for the time being an exhaustive summary of the massive evidence ranging over hundred points:
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1.The term Tajmahal itself never occurs in any mogul court paper or chronicle even in Aurangzeb's time. The attempt to explain it away as Taj-i-mahal is therefore, ridiculous.
2.The ending "Mahal"is never muslim because in none of the muslim countries around the world from Afghanistan to Algeria is there a building known as "Mahal".
3.The unusual explanation of the term Tajmahal derives from Mumtaz Mahal, who is buried in it, is illogical in at least two respects viz., firstly her name was never Mumtaj Mahal but Mumtaz-ul-Zamani and secondly one cannot omit the first three letters "Mum" from a woman's name to derive the remainder as the name of the building.
4.Since the lady's name was Mumtaz (ending with 'Z') the name of the building derived from her should have been Taz Mahal, if at all, and not Taj (spelled with a 'J').
5.Several European visitors of Shahjahan's time allude to the building as Taj-e-Mahal is almost the correct tradition, age old Sanskrit name Tej-o-Mahalaya, signifying a Shiva temple. Contrarily Shahjahan and Aurangzeb scrupulously avoid using the Sanskrit term and call it just a holy grave.
6.The tomb should be understood to signify NOT A BUILDING but only the grave or centotaph inside it. This would help people to realize that all dead muslim courtiers and royalty including Humayun, Akbar, Mumtaz, Etmad-ud-Daula and Safdarjang have been buried in capture Hindu mansions and temples.
7.Moreover, if the Taj is believed to be a burial place, how can the term Mahal, i.e., mansion apply to it?
8.Since the term Taj Mahal does not occur in mogul courts it is absurd to search for any mogul explanation for it. Both its components namely, 'Taj' and' Mahal' are of Sanskrit origin.
9. A locality in, nearly 4 km away from Taj Mahal, is called Bateswar and in 1900 A.D., General Cuningham, the thenDirector of the Archaeological Survey of India (ASI), conducted an excavation at Bateswar and discovered an edict, now known as the Munj Bateswar Edict and kept at the Lucknow Museum. The epigraph contains 34 verses written inSanskrit, out of which 25th, 26th and 34th verses are important in the present context. An English translation of the above verses reads:
“He built a marble temple which is the abode of Lord Vishnu and the King bows down to touch His feet” (25).“The King has built another marble temple which has been dedicated to the Lord Who has the moon as His ornament on His forehead” (26).“Today, the 5th day of the bright half in the month of Ashwin, the Sunday, in the year 1212 of the Vikram Samvat, the edict is being laid” (34).
10. Hindu Architecture
The arrangement of the domes, the lotus canopy, the trident pinnacle, the numerous rooms in the building, the direction of the mansion and its triple domes, the "Gow-shala", the "Nagar-khanas," and the surviving Hindu symbolism indicate that it was originally built as a temple complex.
Well known Western authorities on architecture like E. B. Havell, Mrs. Kenoyer and Sir W. W. Hunterhave gone on record to say that the Taj Mahal is built in the Hindu temple style. Havell points out the ground plan of the ancient Hindu Chandi Seva Temple in Java is identical with that of the Taj.
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| Here you can see, not far from the plinth of the Taj, the stairway that goes down to the 22 rooms. It is surrounded by the red sandstone railing. |
Dome: A central dome with cupolas at its four corners is a universal feature of Hindu temples.
Pillars: The four marble pillars at the plinth corners are of the Hindu style. They are used as lamp towers during night and watch towers during the day. Such towers serve to demarcate the holy precincts. Hindu wedding altars and the altar set up for God Satyanarayan worship have pillars raised at the four corners. The Taj Mahal has towers, but no minarets. Hindu towers always start from the floor level, but moghul minarets rise from the shoulder of buildings.
Pillars: The four marble pillars at the plinth corners are of the Hindu style. They are used as lamp towers during night and watch towers during the day. Such towers serve to demarcate the holy precincts. Hindu wedding altars and the altar set up for God Satyanarayan worship have pillars raised at the four corners. The Taj Mahal has towers, but no minarets. Hindu towers always start from the floor level, but moghul minarets rise from the shoulder of buildings.
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| Here is a typical tower (Burj) that is in familiar Rajput style, not Islamic in any way. |
Octagonal shape: The octagonal shape of the Taj Mahal has a special Hindu significance because Hindus alone have special names for the eight directions, and celestial guards assigned to them. The ground plan consists of an octagonal central domed chamber with an inverted lotus crown, surrounded by four small domed chambers. This is the traditional form of Hindu architecture found in the Shilpa shastra (science of architecture). The pinnacle points to the heaven while the foundation signifies to the nether world. Hindu forts, cities, palaces and temples generally have an octagonal layout or some octagonal features so that together with the pinnacle and the foundation they cover all the ten directions in which the king or God holds sway, according to Hindu belief.
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A frontal view of the Taj Mahal alias Tejo Mahalaya in Agra. It is octagonal because the Hindus believe in 10 directions. The pinnacle pointing to the heaven and the foundation to the nether world, plus the eight surface directions make the 10 directions. Divinity and royalty are believed to hold sway in all those 10 directions. Hence in Hindu tradition, buildings connected with royalty and divinity must have some octagonal features or the buildings themselves should be octagonal. The two flanking cupolas (two others to the rear are not seen in this photo) are also identical.
The towers at the four plinth corners served as watch towers during the day, and to hold lights at night. Hindu wedding altars and Satyanarayan worship altars invariably have such towers at corners. [Many other Hindu temples, such as those at Khajurao, also can be found to have four towers or temples, one at each corner of the temple foundation.]
The lotus flower cap on the head of the dome is a Hindu feature. Muslim domes are bald. This marble edifice has four stories. Inside the dome is an 83 ft. high hall. The Taj has a double dome. The dome one sees from inside ends like an inverted pan on the terrace. The dome seen from outside is a cover on the inner dome. Therefore, in between them is an 83 ft. hall. This may be considered as one storey. Underneath may be seen the first storey arches and the ground floor rooms. In the basement, visitors are shown one room. All these constitute the four storeys in the marble edifice. Below the marble structure are two stories in red stone reaching down to the river level. The 7th storey must be below the river level because every ancient Hindu historic building did have a basement. Thus, the Taj is a seven-storied structure.
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| These corridors at the approach of the Taj Mahal are typically Hindu. They may be seen in any ancient Hindu capital. Note the two octagonal tower cupolas at the right and left top. Only Hindus have special names for the eight directions and celestial guards assigned to each. Any octagonal feature in historic buildings should convince the visitor of their Hindu origin. Guards, palanquin bearers and other attendants resided in hundreds of rooms along numerous such corridors when the Taj Mahal was a Hindu temple palace. Thus the Taj was more magnificent and majestic before it was reduced to a sombre Islamic cemetery. |
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| The Cenotaph chamber with marble screen. The point is why have an octagonal screen around two graves? It is more likely to have been an area of where sacred activities once took place |
Trident pinncle: The Tajmahal has a trident pinncle over the dome. A full scale of the trident pinnacle is inlaid in the red stone courtyard to the east of the Taj. The central shaft of the trident depicts a "Kalash" (sacred pot) holding two bent mango leaves and a coconut. This is a sacred Hindu motif. Identical pinnacles have been seen over Hindu and Buddhist temples in the Himalayan region. Tridents are also depicted against a red lotus background at the apex of the stately marble arched entrances on all four sides of the Taj. People fondly but mistakenly believed all these centuries that the Taj pinnacle depicts a Islamic crescent and star was a lighting conductor installed by the British rulers in India. Contrarily, the pinnacle is a marvel of Hindu metallurgy since the pinnacle made of non-rusting alloy, is also perhaps a lightning deflector. That the pinnacle of the replica is drawn in the eastern courtyard is significant because the east is of special importance to the Hindus, as the direction in which the sun rises. The pinnacle on the dome has the word ‘Allah’ on it after capture. The pinnacle figure on the ground does not have the word Allah.
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The dome of the Taj Mahal bearing a trident pinnacle made of a non-rusting eight-metal Hindu alloy. The pinnacle served as a lightning deflector too.
This pinnacle has been blindly assumed by many to be an Islamic crescent and star, or a lightning conductor installed by the British. This is a measure of the careless manner in which Indian history has been studied till now. Visually identifiable things like this pinnacle too have been misinterpreted with impunity. The flower top of the dome, below the pinnacle, is an unmistakable Hindu sign. A full scale figure of this pinnacle is inlaid in the eastern courtyard.
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| Replica of the pinnacle design of the top of the main dome as found in the garden. |
Yamuna river: Hindu temples are often built on river banks and sea beaches. The Taj is one such built on the bank of the Yamuna river — an ideal location for a Shiva temple. When the Taj Mahal was built, it is claimed that the river Yamuna was half a mile away from the structure, but that the river was diverted to flow alongside the Taj Mahal. The truth of the matter is that the moghul regime lacked any civil engineering skill. Hindu palaces, however, always used to be built alongside the river. Behind the Taj Mahal is a well built and paved river bank (known as a Ghat), used by Hindu royalty for the purpose of bathing. The gateways opening to the rear were later closed.
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| An early photo of Taj from the riverside clearly showing 2 levels of hidden basements. Vincent Smith published this photo in his book "History of Fine Art in India and Ceylon", in 1911. The earliest we find such photo was in 1844 in Sleeman’s book – "Rambles and Recollections of an Indian Official". And yet no historian has ever been curious to go inside these basements. |
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| Most people content to see Mumtaz's grave inside the Taj fail to go to the rear riverside. This is the riverside view. From here one may notice that the four-storied marble structure on top has below it two more stories in red stone. Note the window aperture in the arch at the left. That indicates that there are rooms inside. Inside the row of arches in the upper part of the wall are 22 rooms. In addition to the four stories in marble, this one shows red stone arches in the 5th storey. The 6th storey lies in the plinth in the lower portion of the photo. In another photo a doorway would be seen in the left corner of the plinth, indicating the presence of apartments inside, from where one could emerge on the river for a bath. |
There is an underground passage leading from the Taj Mahal to the Agra Fort, indicating its origin as a palace. And there are defensive hillocks (to prevent catapults being launched) as well as a moat to the rear.
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| Western Gate to Eastern Gate is around 1000 ft. There are several rooms on either side of this road, showing the residential nature of this place. |
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| Photo of Taj Mahal from Yamuna riverside showing rooms with grills in the central part of the marble plinth. |
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| This is a riverside view of the Taj Mahal. The four storied marble structure above has under it these two stories reaching down to the river level. The 22 rooms shown in other photos are behind that line of arches seen in the middle. Each arch is flanked by Hindu lotus discs in white marble. Just above the ground level is the plinth. In the left corner of the plinth is a doorway indicating inside the plinth are many rooms sealed by Shahjahan. One could step out to the river bank from the door at the left. The 7th storey is surmised to be under the plinth below the ground because every ancient Hindu mansion had a basement. Excavation to reach the basement chamber should start under this door. |
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The blue print plan of the Taj Mahal showing stairways that go down to the 22 basement rooms. This plan of the location of 22 basement rooms was discovered in 1902. I (V. S. Godbole) was able to visit them in December 1981 by prior permission.
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| The timber door before it was sealed up with bricks. In 1974 American Professor Marvin Mills took a sample from this door for Carbon dating and concluded that the Taj Mahal pre-dates Shahjahan. After this revelation, the Government of India removed the timber doors and the openings were bricked up. |
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| Blue print of the Taj Mahal showing cross-section of Central Edifice in a book by J Fergusson in 1855. It clearly shows the hidden basements. |
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| Survey plan of Taj Mahal by Col Hodgson, 1825. Note the platform on the north side running from N/W to N/E tower and steps at two places from this platform to go to the river: a sure sign of planning for residential activity, not what you would need for a vacant mausoleum. |
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| You can see blocked doorways and windows where there are several rooms in the 19 foot high plinth. This would be where entrances would lead to many pathways to the rooms within. |
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| Here you can see the upper floor above the cenotaph. Each room has a balcony. |
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| The so-called Mosque at the western end from the Taj. Note the closed upper storey, as seen in the side windows now blocked in red bricks. Also, cobras in pairs at the top and going all around the building, similar to the other buildings around the Taj Mahal. Not a typical Islamic design. |
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| The interior of the so-called Mosque at one end from the Taj with evidence it was converted later into a mausoleum. Steps were for the Mullahs to preach. But see how they break the pattern of decoration on the wall and also on the floor. This means that these steps are not original, but were put up when this building was converted into Mosque by Shahjahan. Also, when praying in this building, Muslims would face West, i.e. Bandar Abbas in Iran, NOT Mecca as is more correct. |
Ganesa Torana:
On the main gateway, the entire border at waist-height is decorated with what is called the "Ganesa Torana" (the elephant trunk and the crown can be clearly identified). In the southern entrance to the outer precincts of the Taj Complex (i.e., the Taj Gunj gate facing the main gateway), above the door arch, there is a small arched recess. It is customary in Hindu Forts (for example, the Nagardhan Fort, Nagpur) to place an idol of Lord Ganesa in a similar recess above the main entrance. Could it be that the recess above the Taj entrance also contained a similar idol, which was subsequently removed by the iconoclastic invaders?
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| In a detail on the gate, we can see two elephant’s trunks, one on either side of the design, which would indicate Ganesh. |
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| Inverted water-pots on top. Their number is always odd, 11 in this case, typical of the Vedic system. Notice also the cobra design in pairs below the gallery. Koranic inscriptions were a graffiti added by Shahjahan. |
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| Such are the magnificent marble-paved, shining, cool, white bright rooms of the Taj Mahal temple palace's marble ground floor. Even the lower third portion of the walls is covered with magnificent marble mosaic. The doorway at the left looks suspiciously closed with a stone slab. One can perambulate through these rooms around the central octagonal sanctorum, now occupied by Mumtaz's fake grave. The aperture, seen through of the central door, enabled perambulating devotees to keep their eyes fixed on the Shiva Linga in the central chamber. Hindu Shiva Lingas are consecrated in two chambers, one above the other. Therefore, Shahjahan had to raise two graves in the name of Mumtaz--one in the marble basement and the other on the ground floor to desecrate and hide both the Shiva emblems from public view. [The famous Shiva temple in Ujjain also has an underground chamber for one of its Shiva-lingams.] |
11. The Tejo Mahalaya inscription
Sanskrit inscription (known as the Bateshwar inscription) it is currently preserved in the Lucknow museum. It refers to the raising of a "Crystal white Shiva temple so alluring that Lord Shiva once enshrined in it decided never to return to Mount Kailas—his usual abode". This inscription was found within a radius of about 36 miles from the Taj Mahal. The inscription is dated 1155 A.D. and was removed from the Taj Mahal garden at Shah Jahan's orders. Historians and Archaeologists have blundered in terming the inscription the "Bateshwar inscription" when the record doesn't say that it was found by Bateshwar. It ought, in fact, to be called "The Tejo Mahalaya inscription" because it was originally installed in the Taj garden before it was uprooted and cast away at Shah Jahan's command. From this it is clear that the Taj Mahal was built at least 500 years before Shah Jahan.
12. TEMPLE TRADITION
a. The term Taj Mahal is a corrupt form of the sanskrit term TejoMahalay signifying a Shiva Temple. Agreshwar Mahadev i.e., The Lord of Agra was consecrated in it.
b. The tradition of removing the shoes before climbing the marble platform originates from pre Shahjahan times when the Taj was a Shiva Temple. Had the Taj originated as a tomb, shoes need not have to be removed because shoes are a necessity in a cemetery.
c. Visitors may notice that the base slab of the centotaph is the marble basement in plain white while its superstructure and the other three centotaphs on the two floors are covered with inlaid creeper designs. This indicates that the marble pedestal of the Shiva idol is still in place and Mumtaz's centotaphs are fake.
d. The pitchers carved inside the upper border of the marble lattice plus those mounted on it number 108-a number sacred in Hindu Temple tradition.
d. There are persons who are connected with the repair and the maintainance of the Taj who have seen the ancient sacred Shiva Linga and other idols sealed in the thick walls and in chambers in the secret, sealed red stone stories below the marble basement. The Archaeological Survey of India is keeping discretely, politely and diplomatically silent about it to the point of dereliction of its own duty to probe into hidden historical evidence.
e. In India there are 12 Jyotirlingas i.e., the outstanding Shiva Temples. The Tejomahalaya alias The Tajmahal appears to be one of them known as Nagnatheshwar since its parapet is girdled with Naga, i.e., Cobra figures. Ever since Shahjahan's capture of it the sacred temple has lost its Hindudom.
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| On the main building, cobra designs in pairs at top of wall, another typical Vedic design. Graffiti in the form of Koranic inscriptions were added by Shahjahan |
f. The famous Hindu treatise on architecture titled Vishwakarma Vastushastra mentions the 'Tej-Linga' amongst the Shivalingas i.e., the stone emblems of Lord Shiva, the Hindu deity. Such a Tej Linga was consecrated in the Taj Mahal, hence the term Taj Mahal alias Tejo Mahalaya.
g. Agra city, in which the Taj Mahal is located, is an ancient centre of Shiva worship. Its orthodox residents have through ages continued the tradition of worshipping at five Shiva shrines before taking the last meal every night especially during the month of Shravan. During the last few centuries the residents of Agra had to be content with worshipping at only four prominent Shiva temples viz., Balkeshwar, Prithvinath, Manakameshwar and Rajarajeshwar. They had lost track of the fifth Shiva deity which their forefathers worshipped. Apparently the fifth was Agreshwar Mahadev Nagnatheshwar i.e., The Lord Great God of Agra, The Deity of the King of Cobras, consecrated in the Tejomahalay alias Tajmahal.
h. The people who dominate the Agra region are Jats. Their name of Shiva is Tejaji. The Jat special issue of The Illustrated Weekly of India (June 28,1971) mentions that the Jats have the Teja Mandirs i.e., Teja Temples. This is because Teja-Linga is among the several names of the Shiva Lingas. From this it is apparent that the Taj-Mahal is Tejo-Mahalaya, The Great Abode of Tej.
13. DOCUMENTARY EVIDENCE
The Muslims started their rule over India in 712 A.D. with the invasion of Mohammed Qasem. During their rule they looted and destroyed hundreds of thousands of Hindu temples. Aurangzeb himself destroyed 10,000 Hindu temples during his reign! Some of the larger temples were converted into mosques or other Islamic structures. Ram Janmbhoomi (at Ayodhya) and Mathura Krishna Temple (at Mathura) are just two examples. The most evident of such structures is Taj Mahal.
The Muslims started their rule over India in 712 A.D. with the invasion of Mohammed Qasem. During their rule they looted and destroyed hundreds of thousands of Hindu temples. Aurangzeb himself destroyed 10,000 Hindu temples during his reign! Some of the larger temples were converted into mosques or other Islamic structures. Ram Janmbhoomi (at Ayodhya) and Mathura Krishna Temple (at Mathura) are just two examples. The most evident of such structures is Taj Mahal.
a. Shahjahan's own court chronicle, the Badshahnama, admits (page 403, vol 1) that a grand mansion of unique splendor, capped with a dome (Imaarat-a-Alishan wa Gumbaze) was taken from the Jaipur Maharaja Jaisigh for Mumtaz's burial, and the building was known as Raja Mansingh's palace.
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An English translation of the contents from line 21 of page 402 to line 41 on page 403 of Badshahnama is given below.
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b. The plaque put the archealogy department outside the Tajmahal describes the edifice as a mausoleum built by Shahjahan for his wife Mumtaz Mahal , over 22 years from 1631 to 1653. That plaque is a specimen of historical bungling. Firstly, the plaque sites no authority for its claim. Secondly the lady's name was Mumtaz-ulZamani and not Mumtazmahal. Thirdly, the period of 22 years is taken from some mumbo jumbo noting by an unreliable French visitor Tavernier, to the exclusion of all muslim versions, which is an absurdity.
c. Prince Aurangzeb's letter to his father,emperor Shahjahan,is recorded in atleast three chronicles titled `Aadaab-e-Alamgiri', `Yadgarnama', and the `Muruqqa-i-Akbarabadi' (edited by Said Ahmed, Agra, 1931, page 43, footnote 2). In that letter Aurangzeb records in 1652 A.D itself that the several buildings in the fancied burial place of Mumtaz were seven storeyed and were so old that they were all leaking, while the dome had developed a crack on the northern side.Aurangzeb, therefore, ordered immediate repairs to the buildings at his own expense while recommending to the emperor that more elaborate repairs be carried out later. This is the proof that during Shahjahan's reign itself that the Taj complex was so old as to need immediate repairs.
d. The ex-Maharaja of Jaipur retains in his secret personal `KapadDwara' collection two orders from Shahjahan dated Dec 18, 1633 (bearing modern nos. R.176 and 177) requestioning the Taj building complex. That was so blatant a usurpation that the then ruler of Jaipur was ashamed to make the document public.
e. The Rajasthan State archives at Bikaner preserve three other firmans addressed by Shahjahan to the Jaipur's ruler Jaising ordering the latter to supply marble (for Mumtaz's grave and koranic grafts) from his Makranna quarris, and stone cutters. Jaisingh was apparently so enraged at the blatant seizure of the Tajmahal that he refused to oblige Shahjahan by providing marble for grafting koranic engravings and fake centotaphs for further desecration of the Tajmahal. Jaising looked at Shahjahan's demand for marble and stone cutters, as an insult added to injury. Therefore, he refused to send any marble and instead detained the stone cutters in his protective custody.
f. The three firmans demanding marble were sent to Jaisingh within about two years of Mumtaz's death. Had Shahjahan really built the Tajmahal over a period of 22 years, the marble would have needed only after 15 or 20 years not immediately after Mumtaz's death.
g. Moreover, the three mention neither the Tajmahal, nor Mumtaz, nor the burial. The cost and the quantity of the stone also are not mentioned. This proves that an insignificant quantity of marble was needed just for some supercial tinkering and tampering with the Tajmahal. Even otherwise Shahjahan could never hope to build a fabulous Tajmahal by abject dependence for marble on a non cooperative Jaisingh.
14. Hidden, locked and sealed chambers
The Taj is a seven storied building. Prince Aurangzeb also mentions this in his letter to Shahjahan. The marble edifice comprises four stories including the lone, tall circular hall inside the top, and the lone chamber in the basement. In between are two floors each containing 12 to 15 palatial rooms. Below the marble plinth reaching down to the river at the rear are two more stories in red stone. They may be seen from the river bank. The seventh storey must be below the ground (river) level since every ancient Hindu building had a subterranian storey.
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This staircase and another symmetrical one at the other end lead down to the storey beneath the marble platform. Visitors may go to the back of the marble plinth at the eastern or western end and descend down the staircase because it is open to the sky. But at the foot the archaeology department has set up an iron door which it keeps locked. Yet one may peep inside from the iron gate in the upper part of the door. Shahjahan had sealed even these two staircases. It was the British who opened them. But from Shahjahan's time the stories below and above the marble ground floor have been barred to visitors. We are still following Mogul dictates though long free from Mogul rule.
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| Entrance to lower basement floor that is now bricked up. |
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| Decorations on outside of upper basement floor with a ventilation grill built in for the apartment. |
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| A huge ventilator of one of the 22 rooms in a secret storey of the Taj, is seen here crudely sealed with unplastered bricks by Shahjahan. History has been so perverted and inverted that alien Muslims like Shahjahan who spoiled, damaged, desecrated and destroyed historic Hindu buildings, are being falsely paraded as great builders. |
Apparently those doorways originally sealed by Shahjahan have been since unsealed and again walled up several times. In 1934 a resident of Delhi took a peep inside from an opening in the upper part of the doorway. To his dismay he saw huge hall inside. It contained many statues huddled around a central beheaded image of Lord Shiva. It could be that, in there, are Sanskrit inscriptions too. All the seven stories of the Tajmahal need to be unsealed and scoured to ascertain what evidence they may be hiding in the form of Hindu images, Sanskrit inscriptions, scriptures, coins and utensils.
Apart from Hindu images hidden in the sealed stories it is also learnt that Hindu images are also stored in the massive walls of the Taj. Between 1959 and 1962 when Mr. S.R. Rao was the Archealogical Superintendent in Agra, he happened to notice a deep and wide crack in the wall of the central octagonal chamber of the Taj. When a part of the wall was dismantled to study the crack out popped two or three marble images. The matter was hushed up and the images were reburied where they had been embedded at Shahjahan's behest. Confirmation of this has been obtained from several sources. Its walls and sealed chambers still hide in Hindu idols that were consecrated in it before Shahjahan's seizure of the Taj.
15. Taj Mahal was not a Tomb but a Temple Complex
The tomb should be understood to signify NOT A BUILDING but only the grave or centotaph inside it. This would help people to realize that all dead muslim courtiers and royalty including Humayun, Akbar, Mumtaz, Etmad-ud-Daula and Safdarjang have been buried in capture Hindu mansions and temples.
No Muslim mausoleum has the facility for circumvolution, but Taj Mahal privides this facility. It indicates that in the pre-Muslim era, devotees used to avail this facility to move round the emblem of Lord Shiva. Tavernier, a French traveller of that time, wrote in his annals that a bazaar used to be held within the Taj complex and it is solely a Hindu tradition to hold bazaars and fairs within a temple complex, which is totally unusual for a Muslim mausoleum.
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| Stones for anchoring boats. On the North side of the Taj Mahal, there is a platform 3 ft 6 inches wide and it runs for the entire length. The platform also has embedded into it several stone rings for anchoring boats. In the photo we can see two such stones, one in the lower right front corner, the other further up the stream. This shows that the building was planned for facilitating boats for river transportation for the residents in the Taj. Again, these are not something you would need for a quiet or even vacant grave site. |
The two buildings which face the marble Taj from the east and west are identical in design, size and shape and yet the eastern building is explained away by Islamic tradition, as a community hall while the western building is claimed to be a mosque. How could buildings meant for radically different purposes be identical? This proves that the western building was put to use as a mosque after seizure of the Taj property by Shahjahan. Curiously enough the building being explained away as a mosque has no minaret. They form a pair af reception pavilions of the Tejomahalaya temple palace.
A few yards away from the same flank is the Nakkar Khana alias DrumHouse which is a intolerable incongruity for Islam. The proximity of the Drum House indicates that the western annex was not originally a mosque. Contrarily a drum house is a neccesity in a Hindu temple or palace because Hindu chores,in the morning and evening, begin to the sweet strains of music.
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| This Naqqar Khana alias Music House in the Taj Mahal garden is an incongruity if the Taj Mahal were an Islamic tomb. Close by on the right is the building which Muslims claim to be a mosque. The proximity of a mosque to the Music House is incongruous with Muslim tradition. In India, Muslims have a tradition of pelting stones on Hindu music processions passing over a mosque. Moreover a mausoleum needs silence. A dead person's repose is never to be disturbed. Who would then provide a band house for a dead Mumtaz? Contrarily Hindu temples and palaces have a music house because morning and evening Hindu chores begin to the sweet strains of sacred music. |
The embossed patterns on the marble exterior of the centotaph chamber wall are foilage of the conch shell design and the Hindu letter "OM". The octagonally laid marble lattices inside the centotaph chamber depict pink lotuses on their top railing. The Lotus, the conch and the OM are the sacred motifs associated with the Hindu deities and temples.
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| This is the Dhatura flower essential for Hindu Shiva worship. The flower is depicted in the shape of the sacred, esoteric Hindu incantation 'OM.' Embossed designs of this blooming 'OM' are drawn over the exterior of the octagonal central sanctorum of Shiva where now a fake grave in Mumtaz's has been planted. While perambulating around the central chamber one may see such 'OM' designs. |
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| Here is an example of the conch shell design incorporated into the three top central petals in the flowers. |
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| Now you can see the "3" figure of the OM design within the carved marble flower, a definite Vedic design. |
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| The Vedic style design on the under-side of the dome over the central cenotaph chamber. Note the blazing sun surrounded by circle of Tridents, which are definite Vedic designs. |
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| Note the Trident within the lotus form at the apex. Both of which are Vedic references, the trident being connected with Lord Shiva. |
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| Wall decorations as we see here are typical Rajput style. There is also a balcony at first floor level. |
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| More conch shell decorations in marble carving next to the ventilation grill. |
16. TREASURY WELL
Between the so-called mosque and the drum house is a multistoried octagonal well with a flight of stairs reaching down to the water level. This is a traditional treasury well in Hindu temple palaces. Treasure chests used to be kept in the lower apartments while treasury personnel had their offices in the upper chambers. The circular stairs made it difficult for intruders to reach down to the treasury or to escape with it undetected or unpursued. In case the premises had to be surrendered to a besieging enemy the treasure could be pushed into the well to remain hidden from the conquerer and remain safe for salvaging if the place was reconquered. Such an elaborate multistoried well is superflous for a mere mausoleum. Such a grand, gigantic well is unneccesary for a tomb.
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This is the massive octagonal well with palatial apartments along its seven stories. A royal staircase descends right down to the water level indicated by the tiny white patch showing the sun's reflection.
This was the traditional treasury well of the Hindu temple palace. Treasure chests used to be stacked in the lower stories. Accountants, cashiers and treasurers sat in the upper stories. Cheques called handies used to be issued from here. On being besieged, if the building had to be surrendered to the enemy, the treasure used to be pushed into the water for salvage later after recapture. For real research, water should be pumped out of this well to reveal the evidence that lies at the bottom. This well is inside a tower near the so-called mosque to the west of the marble Taj. Had the Taj been a mausoleum this octagonal multistoried well would have been superfluous.
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17.BURIAL DATE UNKNOWN
a. Had Shahjahan really built the Taj Mahal as a wonder mausoleum, history would have recorded a specific date on which she was ceremoniously buried in the Taj Mahal. No such date is ever mentioned. This important missing detail decisively exposes the falsity of the Tajmahal legend.
b. Even the year of Mumtaz's death is unknown. It is variously speculated to be 1629, 1630, 1631 or 1632. Had she deserved a fabulous burial, as is claimed, the date of her death had not been a matter of much speculation. In an harem teeming with 5000 women it was difficult to keep track of dates of death. Apparently the date of Mumtaz's death was so insignificant an event, as not to merit any special notice. Who would then build a Taj for her burial?
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| Burhanpur is a very ancient historic city on the Central Railway between Khandwa and Bhusawal junctions. Burhanpur and the nearby Asirgarh (fort) used to provide hospitality to Hindu royals proceeding north or south on pilgrimage, weddings or military expeditions. Barhanpur has many magnificent mansions which are currently being described as mosques and tombs of alien Islamic invaders. This building is one such ancient Hindu royal palace captured by the Moghuls. Mumtaz died here during her 14th delivery around 1630 A.D. while she and Shahjahan were camping here. She is said to be buried in a Hindu pavilion in front of this palace. |
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| Mumtaz is supposed to be buried in this garden pavilion of the ancient Hindu palace (Ahu Mahal) 600 miles from Agra, in Burhanpur. Another version says that Mumtaz's corpse was kept here exposed to sun, rain, and wild beasts for six months. The date of her death, the date of her removal from Burhanpur to Agra, and the date of her assumed burial in the Taj Mahal are all unknown because the entire Taj Mahal-Mumtaz legend is a concoction from the beginning to end. [Mumtaz was only one of several hundred wives and women that Shahjahan kept in his harem.] |
18. BASELESS LOVE STORIES
Stories of Shahjahan's exclusive infatuation for Mumtaz's are concoctions. They have no basis in history nor has any book ever written on their fancied love affairs. Those stories have been invented as an afterthought to make Shahjahan's authorship of the Taj look plausible.
19. COST
The cost of the Taj is nowhere recorded in Shahjahan's court papers because Shahjahan never built the Tajmahal. That is why wild estimates of the cost by gullible writers have ranged from 4 million to 91.7 million rupees.
20. PERIOD OF CONSTRUCTION
Likewise the period of construction has been guessed to be anywhere between 10 years and 22 years. There would have not been any scope for guesswork had the building construction been on record in the court papers.
21. ARCHITECTS
The designer of the Tajmahal is also variously mentioned as Essa Effendy, a Persian or Turk, or Ahmed Mehendis or a Frenchman, Austin deBordeaux, or Geronimo Veroneo, an Italian, or Shahjahan himself.
22. RECORDS DON'T EXIST
a. Twenty thousand labourers are supposed to have worked for 22 years during Shahjahan's reign in building the Tajmahal. Had this been true, there should have been available in Shahjahan's court papers design drawings, heaps of labour muster rolls, daily expenditure sheets, bills and receipts of material ordered, and commisioning orders. There is not even a scrap of paper of this kind.
b. It is, therefore, court flatterers,blundering historians, somnolent archeologists, fiction writers, senile poets, careless tourists officials and erring guides who are responsible for hustling the world into believing in Shahjahan's mythical authorship of the Taj.
c. Description of the gardens around the Taj of Shahjahan's time mention Ketaki, Jai, Jui, Champa, Maulashree, Harshringar and Bel. All these are plants whose flowers or leaves are used in the worship of Hindu deities. Bel leaves are exclusively used in Lord Shiva's worship. A graveyard is planted only with shady trees because the idea of using fruit and flower from plants in a cemetary is abhorrent to human conscience. The presence of Bel and other flower plants in the Taj garden is proof of its having been a Shiva temple before seizure by Shahjahan.
d. Hindu temples are often built on river banks and sea beaches. The Taj is one such built on the bank of the Yamuna river an ideal location for a Shiva temple.
In flagrant violation of this, the Tajamhal has one grave in the basement and another in the first floor chamber both ascribed to Mumtaz. Those two centotaphs were infact erected by Shahjahan to bury the two tier Shivalingas that were consecrated in the Taj. It is customary for Hindus to install two Shivalingas one over the other in two stories as may be seen in the Mahankaleshwar temple in Ujjain and the Somnath temple raised by Ahilyabai in Somnath Pattan.
f. The Tajmahal has identical entrance arches on all four sides. This is a typical Hindu building style known as Chaturmukhi, i.e.,four faced.
23. THE HINDU DOME
a. The Tajmahal has a reverberating dome. Such a dome is an absurdity for a tomb which must ensure peace and silence. Contrarily reverberating domes are a neccesity in Hindu temples because they create an ecstatic dinmultiplying and magnifying the sound of bells, drums and pipes accompanying the worship of Hindu deities.
b. The Tajmahal dome bears a lotus cap. Original Islamic domes have a bald top as is exemplified by the Pakistan Embassy in Chanakyapuri, New Delhi, and the domes in the Pakistan's newly built capital Islamabad.
c. The Tajmahal entrance faces south. Had the Taj been an Islamic building it should have faced the west.
Taj Mahal: The True Story
In his book Taj Mahal: The True Story, P.N.Oak says the Taj Mahal is not Queen Mumtaz Mahal's tomb but an ancient Hindu temple palace of Lord Shiva (then known as Tejo Mahalaya). In the course of his research, Oak discovered that Shiva temple palace was usurped by Shah Jahan from then Maharaja of Jaipur, Jai Singh.
Oak's inquiries begin with the name Taj Mahal…. He says this term does not occur in any Moghul court papers or chronicles, even after Shah Jahan's time. The term "Mahal" has never been used for a building in any of the Muslim countries, from Afghanistan to Algeria. "The unusual explanation that the term Taj Mahal derives from Mumtaz Mahal is illogical in at least two respects.
Firstly, her name was never Mumtaz Mahal but Mumtaz-ul-Zamani, he writes. "Secondly, one cannot omit the first three letters 'Mum' from a woman's name to derive the remainder as the name for the building." Taj Mahal, he claims, is a corrupt version of Tejo-Mahalaya, or the Shiva's Palace. ..Oak also says the love story of Mumtaz and Shah Jahan is a fairy tale created by court sycophants, blundering historians and sloppy archaeologists. Not a single royal chronicle of Shah Jahan's time corroborates the love story.
Furthermore, Oak cites several documents suggesting the Taj Mahal predates Shah Jahan's era, and was a temple palace dedicated to Shiva worshipped by the Rajputs of Agra city. For example, Professor Marvin Miller of New York took a few samples from the riverside doorway of the Taj. Carbon dating tests revealed that the door was 300 years older than Shah Jahan. European traveler Johan Al! Bert Man delslo, who visitedAgra in 1638 (only seven years after Mumtaz's death), describes the life of the city in his memoirs. But he makes no reference to the Taj Mahal being built. The writings of Peter Mundy, an English visitor to Agra within a year of Mumtaz's death, also suggest the Taj was a noteworthy building long well before Shah Jahan's time.
Oak points out a number of design and architectural inconsistencies that support the belief of the Taj Mahal being a typical Hindu temple rather than a mausoleum…. Many rooms in the Taj Mahal have remained sealed since Shah Jahan's time, and are still not accessible to the public. Oak asserts they contain a headless statue of Shiva and other objects commonly used for worship rituals in Hindu temples. Fearing political backlash, Indira Gandhi's government tried to have Oak's book withdrawn from the bookstores, and threatened the Indian publisher of the first edition with dire consequences.
History is always terrifying. Reminiscing it can be devastating.TajMahal can be one of an example, a historical evidence of a myth feeding our minds with falsified story.
TajMahal was not a Tomb, it was the TEMPLE COMPLEX for LORD SHIVA!
Excerpts from-
http://www.stephen-knapp.com/taj_mahal_photo_two.htm
http://veda.wikidot.com/taj-mahal
http://www.stephen-knapp.com/true_story_of_the_taj_mahal.htm
http://veda.wikidot.com/taj-mahal
http://www.stephen-knapp.com/true_story_of_the_taj_mahal.htm
Holy Cow!
ReplyDeleteAapne toh PhD thesis hi likh diya..
Wah Taj!
intriguing
ReplyDeletehttp://sushmita-smile.blogspot.in/
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ReplyDelete.